![]() The bit rate of the lossy format is a good barometer of how much information squashing is taking place. ![]() These frequencies usually sit below 20Hz and above 20kHz. By this, we mean that they reduce – or ‘squash’ – the dynamic range of the audio by removing low and high frequencies in the ranges that humans can’t typically hear. MP3 and similar digital audio formats (WMA, AAC) are what’s known as ‘lossy’ formats. The resulting MP3 files could be up to 10 times smaller than the CD’s original uncompressed information. The format reduced the considerable size of the-then standard CD quality audio, which were encoded in the PCM format at 16 bit and 44.1kHz. MP3s were a godsend for those trying to save hard drive space, and it sped up online sharing in the pre-broadband age. Remember MP3s? Once upon a time, the format was king. ![]() Is this lossless, and can I tell the difference? Lossless file formats by definition retain all of this audio information, so there is absolutely no difference between the listening experience offered by CD and a lossless format such as FLAC or Apple’s ALAC.įor all intents and purposes, anything matching or exceeding the Red Book standard is considered lossless, and even the most pernickety of audiophiles will not be able to tell the difference. Image: / Alamy Stock Photo What’s the difference between lossless and CD-quality?ĬD quality (also known as the ‘Red Book’ standard) is fixed at 16 bit/44.1kHz and is considered the benchmark that we’re striving to capture with our lossless file formats. Lossless audio aims to have the best of both worlds: retaining high quality audio information while reducing the overall file size.
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